She does not only remember him but emphatically remembers him. "him..." Morocco is a Moor, a resident of northern Africa generally with light brown skin. "sensible regreets..." "(but it is not love,)..." A colt is a young horse. See in text (Act II - Scene VI). "The throned monarch better than his crown; "I look like ..." There is literary evidence for this proverb that pre-date Shakespeare's play. Scene 2 (p. 21) This shows that Portia is not as powerless as she says she is. " See in text (Act I - Scene II). "elbow..." This double meaning hints at Launcelot's only solution to Jessica's "damnation": if she is not actually Shylock's daughter but an illegitimate bastard. A "boldest suit of mirth" are elaborate or ornamented party clothes. Notice that we do not get to hear what Jessica has written to her lover. She asks him to “tarry,” to “pause a day or two,” to “forbear awhile”; anything, she tells him, to keep him from possibly choosing the wrong casket. "moth..." While at the beginning, Portia triumphed the concept of mercy for mercy's sake, assuming Shylock would simply grant it to Antonio, she expects Shylock to "beg," meaning that he must prove he is worthy of mercy in a way that Antonio did not have to. Even though Portia was in disguise in Venice, the immediate recognition that occurs in this scene problematizes Bassanio's easy acceptance of Portia's disguise. "How shalt thou hope for mercy, rendering none? Please enable Cookies and reload the page. See in text (Act IV - Scene I). This is an example of stichomythia, a dramatic technique in which characters rapidly exchange dialogue to build tension and emphasize anger or hatred. "title..." Browse Library, Teacher Memberships Now that Portia has saved Antonio, both Antonio and Bassanio are bound to her rather than bound to each other. Notice how Jessica picks up the same metaphor that Launcelot used to describe Shylock in the previous scene. Because France and England were rivals, France would often financially support Scotland in its efforts against England. See in text (Act II - Scene II). Unlike Morocco who tried to convince Portia of his worth with words, or Arragon who believed that he was inherently worthy of Portia, Bassanio buys Portia's affections. Their inability to see past the shallow interpretation of this interaction demonstrates that they don't know what they are seeing, and thus provide an interpretation of events that the audience should not readily accept. " We now meet Portia, who turns out to be more than a spoiled little rich girl. Questions focusing on Portia, and Bassanio choosing a casket. In dying for Bassanio's bond, Antonio marries Bassanio to his debt forever. ..." "unburthen..." Scene1 Venice. "Wind" can represent some one's fortune, good or bad, depending on which way it blows. This close reading assessment features 12 text-dependent, high-order questions to promote improved reading comprehension and analysis of Shakespeare’s The Merchant of Venice (Act 2, Scene 2). Notice that all of the love in this play revolves around chance. Notice that Shakespeare tells the audience about the test Portia's father created using Nerissa's lines. ...", "The quality of mercy is not strain'd, He justifies his bond in saying that a pound of man's flesh has no monetary value and that he will not profit from it. Notice all of the monetary terms she uses to describe herself: gross, sum, account, rich etc. See in text (Act III - Scene III). See in text (Act I - Scene II). "Give me your hand..." "which is yet mine own,..." Like Bassanio, Portia focuses on her external and material attributes more than her internal character makeup. Scholars have read this confusion as either a sign of her affection for Bassanio or a poor attempt to affect the language of lovers. Find full texts with expert analysis in our extensive library. Start studying Merchant of Venice Act 3. This page contains the original text of Act 2, Scene 1 of The Merchant of Venice.Shakespeare’s original The Merchant of Venice text is extremely long, so we’ve split the text into one Scene per page. Many scholars and performers have interpreted Antonio's dedication to Bassanio and sadness at his departure as coming from his homoerotic love for Bassanio. In the Christian tradition, it is believed that all who accept Jesus as their lord and savior are absolved of their past sins and saved. Your browser will redirect to your requested content shortly. The Christians seek to take Shylock's money, the only thing that gave him any power within Venetian society, and force him to grovel to the privileged class. Gobbo is long winded and attempts to fill his speech with flowery language and metaphors. Again the Duke asks Shylock to be better than the Christians in the play. This means that he would be tossing grass pieces into the air to see which direction the wind is blowing. See in text (Act III - Scene I), The ring that Jessica pawned in order to buy a monkey was a gift to Shylock from his dead wife Leah. "whereby I live...." This line can be interpreted either as a sign that Gobbo is senile, or that Gobbo cannot believe that someone who acts like Launcelot could be his son. Notice how many times money and appearance come up in this scene. Notice that Shylock uses animal imagery within this scene to explain his reasoning. "I had it of Leah..." Bassanio gets increasingly upset as he reads the letter. It droppeth, as the gentle rain from heaven...", "The pound of flesh, which I demand of him,(100) See in text (Act II - Scene VI). "ring..." This process is automatic. See in text (Act V). Dramatic Irony: Once again, Shakespeare works to add suspense to the play. Bassanio is "engaged" to Antonio by his this bond. 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